From 1968 to 1972, photographer and filmmaker Bob Campbell documented the activities of Dian Fossey as she developed a cross-species bond with Rwandan mountain gorillas. Campbell shot 70,000 feet of film, but only a fraction of his material was edited into the lecture presentation that preceded Fossey's Gorillas in the Mist. This program compiles highlights from the previously unreleased footage, offering an unforgettable glimpse into the gorilla community and Fossey's relationship with it. Her methods may not entirely jibe with those of modern conservationists, but there is no denying the profound impact of her work on current research and eco-activism.

A copy of the filmmakers' first feature film disappeared somewhere in Yemen on the 10th anniversary of the reunification of north and south. A year later, they returned to track down the print, embarking on a journey that would take them across forbidding terrain from Sana to Aden. What they discover is a land of contradictions where film is openly reviled and secretly loved, teaching them much about their status as filmmakers in the Middle East.

She was the first to study gorillas in their natural environment: the high mountains of Rwanda, where she settled in 1967. For nearly twenty years, Dian Fossey lived with the gorillas, observed their behavior, and changed the way people viewed them. Her relentless fight against poaching prevented the species from becoming extinct. But in December 1985, the primatologist was murdered, and the mystery surrounding her death remains unsolved. Former colleagues, scientists, and biographers shed light on the impact of her work, but also on the darker sides of her personality and her uncompromising commitment.

Rick Marshall and his children Will and Holly are on a weekend expedition rafting down a river when an enormous earthquake diverts them to an eclectic alien world inhabited by dinosaurs, chimpanzee-like cavemen called Pakuni, and aggressive, humanoid lizard creatures called Sleestak.

An anthropologist and his family are shipwrecked on a South Seas island.

Berlin, 1920-1930s. A colony of Russian cinematographers is creating film production on a truly Hollywood scale. Hundreds of studios, dozens of "stars", European blockbusters.

João Lucas works at a video store and always ends up revealing the ending of films to customers. After being approached by a girl who always rents the same movie, the two eccentric characters start to argue about the true meaning of the plot and attract each other through their passion for cinema.

The magpie that stole Tishka the dog's medal organized a school of “magpie sciences,” where it decided to teach first graders the “art” of deception. But Tishka and his friend the parrot tracked her down.

暂无英文版的简介，请添加内容帮助我们完善数据库。